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HIGHWAY

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  • Israel Martínez

    Since 2010, the Mexican sound artist has been reflecting, recording, documenting and exhibiting the symbolic, personal, financial, legal, civic and human costs of Mexico’s War on Drugs.

  • Mark Fisher

    A conversation with the music writer and acclaimed author of Capitalist Realism and Ghosts of My Life on music and mainstream culture, Popular Modernism, the struggle for time and the dizzying prospects of a political “new.”

  • Spectatorship, Part 1 | Ian MacKaye

    “THAT’S THE POINT FOR THE RECORD COMPANY, BUT IT SHOULDN’T BE THE POINT FOR THE BAND”

  • Spectatorship, Part 1 | Mark Andersen

    “THAT’S THE REVOLUTION IN PUNK, IF THERE IS ONE”

  • Spectatorship, Part 1 | Kim Gordon

    “I’M REALLY SCARED WHEN I KILL IN MY DREAMS”

  • Spectatorship, Part 1 | Dan Deacon

    “THE INTERNET IS NOT THE PROBLEM, MID-SIZE VENUES ARE DISAPPEARING”

  • Spectatorship, Part 1 | Katie Alice Greer

    “WE’RE VERY STRATEGIC IN HOW WE OPERATE AND CREATE”

  • The Photography of Sebastian Mayer

    A select presentation from the accomplished German photographer.

  • Decoder

    Dan Barrow reactivates the nearly-forgotten punk film for 2015 and beyond.

  • Dadabots

    Algorithms coded and deployed by Zack Zukowski and CJ Carr explore the possibilities of generative music composition and remix.

  • Glen E. Friedman

    “IT’S NOT ABOUT ME, IT’S ABOUT DOING FUCKING JUSTICE TO THE SUBJECTS”

  • Publicity | Ian Svenonius

    THE FALL OF COLLEGE ROCK AND THE RISE OF “INDIE” or, INDIE ROCK AS THE GENTRIFICATION OF PUNK

  • Publicity | Mathew Dryhurst

    “SCATTERSHOT PRACTICE”

  • Publicity | Johan Kugelberg

    “YOUR HEROES HAD TO COMPULSIVELY BE MADE FUN OF”

  • Publicity | Maria Minerva

    “YOU’RE JUST 2 COOL 2 BE TRUE, CAN’T TAKE MY EYES OFF OF YOU”

  • The Photography of Joe Dilworth

    The photographer reviews a previously unpublished selection.

  • Exterior Sounds

    “IN SOME CASES YOU MIGHT NOT EVEN KNOW WHAT YOU’RE LISTENING TO”

  • The Cairo Gang

    “MY RELATIONSHIP TO MY OWN MUSIC ISN’T TO BE A RECORD-MAKING MACHINE. IT’S WHAT I DO CONSTANTLY, BUT I DON’T FEEL LIKE I NEED TO SHARE EVERYTHING WITH EVERYONE. SOME THINGS ARE PRIVATE.”

  • Letters from the Past | Pop-trunk

    1992

  • Voice Studies

    “THE HUMAN VOICE IS THE ORGAN OF THE SOUL” — Henry Wadsworth Longfellow

  • Peering into Yugoslavian Punk & New Wave

    On an icy December night in 2012, a crowd of people gather around a Christmas tree at an outdoor stage in the center of Slovenia’s capital city, Ljubljana. In front of the Ljubljana Plečnik Market, the revelers are not there to sing carols though. The city is tense after violence has erupted

  • Oren Ambarchi

    An ongoing effort with Jim O’Rourke and Keiji Haino, together one of the most vibrant trios active, was the subject of a recent correspondence.

  • Plural Machine Self-Manifest

    Kraftwerk Performing ‘Die Roboter’ on Rockpop on ZDF Television, March 29, 1978.

  • Hildegard Westerkamp

    “WE’RE ALL ADDICTED TO MUSIC ANYWAY”

•

HIGHWAY is an intermittent publication about life with music and sound. The print and iOS editions are pocket-sized companions to the musicians, writers, artists, thinkers, documentarians, storytellers and objects we encounter.

Today, there are readers and listeners with a new curiosity into how these subjects and objects practice, converse, resonate and are remembered in the international worlds of music and sound.
HIGHWAY is for them.

  • @readhighway
  • @readhighway
  • @readhighway
  • @readhighway

Newsletter for announcements and events:

Here's what they're saying:

  • "Refreshingly eclectic"
    — mono.kultur
  • "Excellent music journalism...It's a pity I am no longer a commuter: this is one of those perfect-sized books for long train rides. You read an article, stare out of the window and then read the next. The big question is: where to get this?"
    — Frans de Waard
  • “It’s take on music is smart and unexpected.”
    —ArtWorks, NEA
  • "…full of thoughtful, critical essays on listening, watching, performing, and making music in both written and visual form."
    — ArtBook at MoMA PS1
  • "The format is fantastic. I haven't been able to safely tuck a magazine into my pocket for many a year. And the contents are great, most of the pieces are bite-sized and really well done. Can't wait for the next issue."
    — Byron Coley
  • "Small, but mighty."
    — Bandwith, WAMU 88.9 FM
  • "The format is very clever, truly pocket-sized and a nice selection of articles…With that, you can potentially do wonders.”
    — Alessandro Ludovico

Contact:

info [at] highwaymagazine [dot] info

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